Oil On Canvas, Real Flavor of Old Masters

All Giovanni Paolo Pannini 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
43700  
Capriccio of Classical Ruins, Giovanni Paolo Pannini
  		 Capriccio of Classical Ruins   1725-30 Oil on canvas, 123 x 132 cm
51744  
Detail of the Annunciation, Giovanni Paolo Pannini
  		 Detail of the Annunciation   nn09 c.1445 Wood 40x46cm
93773  
Fountain of Trevi, Rome, Giovanni Paolo Pannini
  		 Fountain of Trevi, Rome   Date 18th century Medium oil on canvas Dimensions 50.2 x 64.8 cm (19.8 x 25.5 in) TTD
70718  
Galerie de vues de la Rome antique, Giovanni Paolo Pannini
  		 Galerie de vues de la Rome antique   Medium Oil on canvas Dimensions Expression error: Missing operand for *231 ?? 303 cm
72639  
Interior of a Picture Gallery with the Collection of Cardinal Silvio Valenti Gonzaga, Giovanni Paolo Pannini
  		 Interior of a Picture Gallery with the Collection of Cardinal Silvio Valenti Gonzaga   Date 1740 Medium Oil on canvas Dimensions ? X cm cyf
75221  
Interior of St Peter s Rome, Giovanni Paolo Pannini
  		 Interior of St Peter s Rome   Date 1731 Medium Oil on canvas Dimensions 145.7 x 228.3 cm cyf
70607  
Interior of the San Giovanni in Laterano in Rome, Giovanni Paolo Pannini
  		 Interior of the San Giovanni in Laterano in Rome   Medium Oil on canvas Dimensions Expression error: Missing operand for *74 ?? 100 cm
51208  
Interior of the Santa Maria Maggiore in Rome, Giovanni Paolo Pannini
  		 Interior of the Santa Maria Maggiore in Rome   c. 1730 Oil on canvas, 78 x 90 cm
60009  
Picture gallery with views of ancient Rome, Giovanni Paolo Pannini
  		 Picture gallery with views of ancient Rome   Picture gallery with views of ancient Rome (1758)
1107  
Picture Gallery with Views of Modern Rome, Giovanni Paolo Pannini
  		 Picture Gallery with Views of Modern Rome   1757 Museum of Fine Arts, Boston 67 x 96 1/4 in. / 170 x 244.5 cm
40568  
Picture Gallery with views of Modern Rome, Giovanni Paolo Pannini
  		 Picture Gallery with views of Modern Rome   mk156 1759 Oil on canvas 231x303cm
60010  
Picture gallery with views of modern Rome, Giovanni Paolo Pannini
  		 Picture gallery with views of modern Rome   Picture gallery with views of modern Rome (1759)
70547  
Picture Gallery with Views of Modern Rome, Giovanni Paolo Pannini
  		 Picture Gallery with Views of Modern Rome   Medium Oil on canvas Dimensions 170.2 x 244.5 cm
40567  
Roma Antica, Giovanni Paolo Pannini
  		 Roma Antica   mk156 1758 Oil on canvas 231x303cm
1111  
Roman Capriccio, Giovanni Paolo Pannini
  		 Roman Capriccio   1734 Maidstone Museum and Art Gallery, Kent, UK
43282  
Roman Ruins with Figures, Giovanni Paolo Pannini
  		 Roman Ruins with Figures   mk170 circa 1730 Oil on canvas 49.5x63.5cm
82186  
Rome, The Piazza and Church of Santa Maria Maggiore, Giovanni Paolo Pannini
  		 Rome, The Piazza and Church of Santa Maria Maggiore   Date 1744(1744) Medium Oil on canvas cjr
60008  
St. Peter Basilica, from the entrance, Giovanni Paolo Pannini
  		 St. Peter Basilica, from the entrance   St. Peter's Basilica, from the entrance
60012  
The interior of the Pantheon, Giovanni Paolo Pannini
  		 The interior of the Pantheon   The interior of the Pantheon, Rome
60011  
The Lottery at Palazzo Montecitorio, Giovanni Paolo Pannini
  		 The Lottery at Palazzo Montecitorio   The Lottery at Palazzo Montecitorio, now in the National Gallery, London
1109  
Views of Ancient Rome, Giovanni Paolo Pannini
  		 Views of Ancient Rome   1758 Musee du Louvre, Paris 90.94 x 119.29 in / 231 x 303 cm
Giovanni Paolo Pannini
1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.



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